A pine needle fell in the forest. The eagle saw it fall. The deer heard it. The bear smelled it.
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Document Type
Master Thesis
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CC-BY-NC-ND
Abstract
In this thesis Jesse de Vos explains how interactive documentaries are fundamentally dynamic and relational objects that require a theoretical framework allowing us to describe these relations. Building on the philosophical work of Deleuze and Massumi he explores the aesthetico-political implications of the interactive documentary BEAR 71 (2011).
Keywords
interactivity, interactive, documentaries, Deleuze, Massumi,