“This life lived mostly underground”: Exploring Isolation, Disconnectedness and (Self-)Estrangement on Andrew Hozier-Byrne’s Unreal Unearth through Dante Alighieri’s Inferno
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Master Thesis
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Andrew Hozier-Byrne; Dante Alighieri; Estrangement; Intermediality; Isolation; Inferno; Musical Narrativity; Popular Music; Transculturalism; Unreal Unearth