Hamilton: the Rapvolution On the Translation of Rap Musicals

Abstract

This thesis explores the translation of the relatively new phenomenon ‘rap musical’. It does so by exploring the history and translation of both musical theater and rap music. In chapter one, the word ‘musical’ is defined, and the theory of making singable translations is explored. Chapter two defines the word ‘rap’, and looks at the history and musical structure of rap music. It also examines ways to approach the translation of rap. Chapter three applies the theory of the previous chapters to the rap musical Hamilton, from which three songs have been translated.